One of our fabulous past singing secessionists.

One of our fabulous past singing secessionists.

In this new post, we would like to announce a new performance opportunity given to Michael Georgiou. The English version of Puccini’s Tosca now on in London at King’s Head Theatre until 28th October this year.

Piano Recording Studio London supporting WKMT and its teachers on their performing opportunities.

Have a look at our article and get all the info about the opera:

http://www.piano-composer-teacher-london.co.uk/single-post/New-performance-opportunity-for-M-Georgiou

recording the new WKMT concert.

Recording the new WKMT concert.

A great new opportunity is coming. WKMT and its series of monthly concerts gave us, as usual, the chance to record the concert on 21st October 2017. The magnificent venue St Cuthbert’s church, Earls Court.

In this case, WKMT and Nika Young Talents Foundation, work together to raise funds for the foundation, which helps kids and young talents unable to access to music lessons in London.

Such a superb performance within a great programme. Have a look at the details of the concert and do not hesitate to book your tickets at [email protected]

FUNDRAISING CONCERT IN LONDON BY WKMT

recording the new WKMT concert.

Recording the new WKMT concert.

A great new opportunity is coming. WKMT and its series of monthly concerts gave us, as usual, the chance to record the concert on 21st October 2017. The magnificent venue St Cuthbert’s church, Earls Court.

In this case, WKMT and Nika Young Talents Foundation, work together to raise funds for the foundation, which helps kids and young talents unable to access to music lessons in London.

Such a superb performance within a great programme. Have a look at the details of the concert and do not hesitate to book your tickets at [email protected]

FUNDRAISING CONCERT IN LONDON BY WKMT

recording the new WKMT concert.

Recording the new WKMT concert.

A great new opportunity is coming. WKMT and its series of monthly concerts gave us, as usual, the chance to record the concert on 21st October 2017. The magnificent venue St Cuthbert’s church, Earls Court.

In this case, WKMT and Nika Young Talents Foundation, work together to raise funds for the foundation, which helps kids and young talents unable to access to music lessons in London.

Such a superb performance within a great programme. Have a look at the details of the concert and do not hesitate to book your tickets at [email protected]

FUNDRAISING CONCERT IN LONDON BY WKMT

Piano approach: Music Inertia VS Full Control

Piano approach: Music Inertia VS Full Control

It is common to see pianists committing mistakes and starting all over from the beginning… As you can imagine, that could prove to be a very expensive practise when at a recording session.

If you are thinking about organising a recording session, it is fundamental that you gain full control of your pieces prior to your recording session.

Why?

Mainly because you will need to start from different sections of the pieces in order to produce outstanding takes. Also, in order to keep your attention throughout all your performance, it is important to have developed the necessary intellectual devices. These skills connect with the 5 different memories involved in the act of performing.

When we are recording, we feel the pressure of having to sound perfect. Despite this is not being true, as we can make several takes of different passages, we can still be pressurized by the weight of posterity. We know whatever we record on our session will stay unchanged as a document of our performance quality forever. Therefore, if we want to produce good results we have to follow a thorough plan.

The creation of this plan is fundamental and our advocation to it paramount. Learning the name of the notes of a piece can help us to consolidate our ideas about it. It allows us to rehearse our ideas even outside the piano. Most importantly, it allows us to recreate and control a musical piece without the help of any external device, score or instrument. Fixing the dynamic and expressive structure we superimpose to a piece remains the most important collaboration a performer can make towards adding a personal touch to a musical composition. This is the maximum level of control a musician can excerpt on an interpretation. Working hard towards creating this abstract structures remain the ultimate challenge for all of us pianists.

Piano approach: Music Inertia VS Full Control

Piano approach: Music Inertia VS Full Control

It is common to see pianists committing mistakes and starting all over from the beginning… As you can imagine, that could prove to be a very expensive practise when at a recording session.

If you are thinking about organising a recording session, it is fundamental that you gain full control of your pieces prior to your recording session.

Why?

Mainly because you will need to start from different sections of the pieces in order to produce outstanding takes. Also, in order to keep your attention throughout all your performance, it is important to have developed the necessary intellectual devices. These skills connect with the 5 different memories involved in the act of performing.

When we are recording, we feel the pressure of having to sound perfect. Despite this is not being true, as we can make several takes of different passages, we can still be pressurized by the weight of posterity. We know whatever we record on our session will stay unchanged as a document of our performance quality forever. Therefore, if we want to produce good results we have to follow a thorough plan.

The creation of this plan is fundamental and our advocation to it paramount. Learning the name of the notes of a piece can help us to consolidate our ideas about it. It allows us to rehearse our ideas even outside the piano. Most importantly, it allows us to recreate and control a musical piece without the help of any external device, score or instrument. Fixing the dynamic and expressive structure we superimpose to a piece remains the most important collaboration a performer can make towards adding a personal touch to a musical composition. This is the maximum level of control a musician can excerpt on an interpretation. Working hard towards creating this abstract structures remain the ultimate challenge for all of us pianists.

Piano approach: Music Inertia VS Full Control

Piano approach: Music Inertia VS Full Control

It is common to see pianists committing mistakes and starting all over from the beginning… As you can imagine, that could prove to be a very expensive practise when at a recording session.

If you are thinking about organising a recording session, it is fundamental that you gain full control of your pieces prior to your recording session.

Why?

Mainly because you will need to start from different sections of the pieces in order to produce outstanding takes. Also, in order to keep your attention throughout all your performance, it is important to have developed the necessary intellectual devices. These skills connect with the 5 different memories involved in the act of performing.

When we are recording, we feel the pressure of having to sound perfect. Despite this is not being true, as we can make several takes of different passages, we can still be pressurized by the weight of posterity. We know whatever we record on our session will stay unchanged as a document of our performance quality forever. Therefore, if we want to produce good results we have to follow a thorough plan.

The creation of this plan is fundamental and our advocation to it paramount. Learning the name of the notes of a piece can help us to consolidate our ideas about it. It allows us to rehearse our ideas even outside the piano. Most importantly, it allows us to recreate and control a musical piece without the help of any external device, score or instrument. Fixing the dynamic and expressive structure we superimpose to a piece remains the most important collaboration a performer can make towards adding a personal touch to a musical composition. This is the maximum level of control a musician can excerpt on an interpretation. Working hard towards creating this abstract structures remain the ultimate challenge for all of us pianists.

HOW TO ANALYSE HAYDN PIANO SONATAS.

How to analyse Haydn piano sonatas.

When analysis piano pieces, we need to make sure we are applying the right knowledge.

There are many different ways to analyse how a piece is built up.

William Caplin’s “Musical Forms” is a great source of information. On the downside, this is a very extensive book -above 750 pages long!- Juan Rezzuto and WKMT are committed to summarize this fabulous piece material into short articles. These articles are not meant to substitute the reading of this work, on the contrary, they are a way to tempt readers to read further.

We recommend piano students to consult this material. It can certainly help the understanding of how we analyse Haydn sonatas.

At Piano Recording Studio London, we always love music and all what/who embrace and enhance it.

WKMT: Best option piano lessons

WKMT: Best option piano lessons

Our main patron: WKMT, offers not only the best possible environment for piano lessons in London but it also does it at the most accessible prices for this type of organization.

As a recording studio, we are also proud of keeping our prices accessible to everyone. In this way, we also stand more chances of being able to record talented new musicians. At the London Piano Recording Studio, one can book slots of up to two hours. This is a great facility compared to other studios where you need to book a minimum of 4 hours.

The same happens with WKMT, their lessons can be booked in almost any sort of arrangement. It is true, their price chart is not simple, but this is because they have options for each and every individual. Take a look at this very useful article about piano lessons prices and learn for yourself how WKMT gives you the best for the most accessible price in London. For reviews, you can check piano-lessons-london-reviews

WKMT: Best option piano lessons

WKMT: Best option piano lessons

Our main patron: WKMT, offers not only the best possible environment for piano lessons in London but it also does it at the most accessible prices for this type of organization.

As a recording studio, we are also proud of keeping our prices accessible to everyone. In this way, we also stand more chances of being able to record talented new musicians. At the London Piano Recording Studio, one can book slots of up to two hours. This is a great facility compared to other studios where you need to book a minimum of 4 hours.

The same happens with WKMT, their lessons can be booked in almost any sort of arrangement. It is true, their price chart is not simple, but this is because they have options for each and every individual. Take a look at this very useful article about piano lessons prices and learn for yourself how WKMT gives you the best for the most accessible price in London. For reviews, you can check piano-lessons-london-reviews